

類型:電影地區(qū):美國(guó) 年份:1992 詳情
導(dǎo)演:比爾·杜克
簡(jiǎn)介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
拉米·馬雷克,瑞秋·布羅斯納安,凱特芮娜·巴爾夫,勞倫斯·菲什伯恩,喬·博恩瑟,霍特·麥克卡蘭尼,朱麗安妮·尼科爾森,邁克爾·斯圖巴,阿德里安·馬丁斯,丹尼·薩帕尼,平岳大,愛(ài)麗絲·休金,芭芭拉·普羅布斯特,約瑟夫·米爾森,馬克·里斯曼,尼克·米爾斯,蒂芙尼·格雷,凱特·薩普特,大衛(wèi)·米爾斯,阿尼塔·阿南德,埃文·米爾頓,瑞恩·奇爾科特,蘭娜·喬弗里,安娜·弗蘭科利尼
艾德里安·布洛迪,托弗·戈瑞斯,艾莉絲·布拉加,沃爾頓·戈金斯,歐勒格·塔克塔羅夫,勞倫斯·菲什伯恩,丹尼·特雷霍,路易斯·小澤·張簡(jiǎn),馬赫沙拉·阿里,歐文·凱里·瓊斯,布萊恩·斯蒂爾,德里克·梅耶斯,Aaron,Richardson
威爾·史密斯,杰夫·高布倫,比爾·普爾曼,瑪麗·麥克唐納,賈德·赫希,羅伯特·勞吉亞,蘭迪·奎德,瑪格麗特·柯林,薇薇卡·福克斯,詹姆斯·瑞布霍恩,哈維·費(fèi)斯特恩,亞當(dāng)·鮑德溫,布倫特·斯皮內(nèi),詹姆斯·杜瓦爾,莉薩·雅克布,杰賽普·安德魯斯,羅斯·巴格利,比爾·斯米托洛維奇,梅·惠特曼,小哈里·康尼克,綺爾斯騰·瓦倫,約翰·斯托里,弗蘭克·諾瓦克,德文·古梅爾薩爾,吉姆·皮多克
勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯
克里斯·帕拉特,布萊絲·達(dá)拉斯·霍華德,勞拉·鄧恩,山姆·尼爾,杰夫·高布倫,德汪達(dá)·懷斯,馬莫多·阿西,伊莎貝拉·瑟蒙,坎貝爾·斯科特,黃榮亮,奧瑪·希,賈斯蒂斯·史密斯,丹妮艾拉·皮內(nèi)達(dá),斯科特·黑茲,迪辰·拉克曼,克里斯托弗·普拉哈,芙蕾雅·帕克,亞歷山大·歐文,埃爾娃·崔爾,特蕾莎·森登·加西亞,瓦拉達(dá)·塞圖,本·阿什登,小恩佐·斯奎利諾,格利尼斯·戴維斯,摩西·布林斯·普蘭提,柯基·法爾考,迪米特里“維加斯”蒂瓦約,喬·阿佐帕迪,本·庫(kù)克,伯納多·桑托斯
克里斯·帕拉特,布萊絲·達(dá)拉斯·霍華德,賈斯蒂斯·史密斯,伊莎貝拉·瑟蒙,拉菲·斯波,托比·瓊斯,泰德·拉文,詹姆斯·克倫威爾,黃榮亮,丹妮艾拉·皮內(nèi)達(dá),杰拉丁·卓別林,杰夫·高布倫,卡米爾·雷米澤斯基,丹尼爾·斯蒂森,皮特·杰森,邁克爾·帕帕約翰,羅伯特·埃姆斯,羅南·薩莫爾斯,麥克斯·貝克,丹尼爾·厄根,戴維·奧拉瓦萊·阿印德
杰夫·高布倫,朱麗安·摩爾,皮特·波斯?fàn)査柬f特,艾利斯·霍華德,理查德·阿滕伯勒,文斯·沃恩,凡妮莎·李·徹斯特,彼得·斯特曼,哈維·杰森,理查德·希夫,Thomas,F.,Duffy,約瑟夫·梅澤羅,阿麗亞娜·理查茲,小托馬斯·羅薩萊斯,卡米拉·貝勒
勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯
科丁·馬蒂奇克,Cristina·Stefania·Codreanu,Denis·Hanganu
澤南,那馨,劉毅然,鄧凱勻
古天樂(lè),林峯,宣萱,郭羨妮,滕麗名,白百何,苗僑偉,張繼聰,朱鑒然,吳樾,洪天明,高戰(zhàn),鄧一君,廖啟智,歐瑞偉,陳國(guó)邦,黃文標(biāo),蔡一智,廖子妤,鄭雪兒,徐偉棟,洪天照
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